MOKU HANGA REPLICATION MANUAL
MOKU HANGA REPLICATION REGISTRATION

To print, the artist uses a baren, a flat, hand-held disk that is wrapped in a bamboo sheeth, to press the pigment into the paper. Ukiyoe was widely accepted among ordinary people as one of typical popular cultures of the Edo period through Edo. Woodblock print technique in Japan, has been growing for about 1200 years, and developed itself into Ukiyoe-hanga (Ukiyoe woodblock print) in the 17th century. The technique replaced seals and stamps for making impressions and writing by hand for longer text. Edo Moku-hanga (Woodblock Prints) Express it more vividly than reality.

MOKU HANGA REPLICATION REGISTRATION

A sheet of sized and dampened paper is then placed on the block proper alignment is insured by two registration marks that are carved into each block at the same place. Mokuhanga The Art of Japanese Woodblock Printing Modern Japanese woodblock printing can trace its origins directly to China where it was invented in antiquity. Pigment dispersed in a water and rice paste are placed on the block and smoothed across the surface with a brush that looks similar to a shoe brush. Areas that are not to be printed are cut away, leaving a raised surface, as in the principle of a stamp. A knife, some wood, a few tubes of paint, a stiff brush, some paper, water, and a tool for hand burnishing is all that. The simplicity lies in the ease with which one can get create an image. Initially, the artist carves a block of wood for each color to be printed. The Japanese method of multicolor woodblock printing (mokuhanga), with its use of brushes and watercolors and hand pressure, is both simple and complex. To move from the inspiration of the sketch to the mechanics of the print requires thoughtful organization of color and space. The process, however, is labor intensive for the artist, who must undertake the roles of designer, carver, and printer. Her specially designed workstation is overflowing with handmade paper, various tools and bowls of brightly colored pigments.

MOKU HANGA REPLICATION MANUAL

Wood, water, paper, pigment, paste, and simple carving and rubbing implements are all that is needed to make a print. The highly manual process of the art form she’s employing means that consistency takes time to master but, with her level of skill, each print is revealed as a perfect replica of the last. Japanese woodblock printmaking, moku (wood) hanga (print), is distinguished from other printmaking techniques by the simplicity of material involved in its creation.

Moku hanga replication